Art Exhibitions in Kerikeri, Northland, New Zealand
 

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Julia Ritchie Reinholt
About the Artist

Paintings from Matariki 2010 Exhibition
 


Drawing on the past

Mixed media on canvas board

 


"Kohiti"
( new moon )
Acrylic on board
NFS

 


"Good Friday"
Oil on board
NFS

 

 


"Medinet Habu"
Acrylic on canvas
SOLD



"Deir er zor - Digging up the Past "
Mixed media on board
SOLD

 


"Between the Lines"
Acrylic, oil , shallac, ink and graphite on canvas


 

Work from Julia's recent exhibition 'Same Difference'
 


"The Writing is on the Wall"
Acrylic & graphite on card



"An Illusion of Legality"
Acrylic, mixed media on canvas board.


"Middle Eastern Motif"
Acrylic & newsprint on canvas


'Desert Storm'
Acrylic and mixed media


'Overcoming the Fear '
Acrylic on canvas SOLD

 


 'Living Together Separately - A Tribute to
Mahmoud Darwish'
Acrylic paint & mixed media
SOLD


'Unresolved'
Mixed media SOLD


'The Six Day War'
Acrylic & ink on canvas


'Occupation Violation'
Acrylic and mixed media


'Abiding Faiths'
Acrylic on canvas SOLD

 

About the Artist

Born in Wellington, attending school in Beirut and college in London, I never had any formal training in art or photography, but always had an eye for the beauty in this world.

After finishing my education in the UK, I lived in Austria for nearly ten years, before returning to the Middle East. It was like returning home and it so inspired me that I could not help but put paint to paper, and my eye to the lens. Twenty six of my forty years away from the land of my birth, were spent in the Lebanon, Syria, Jordan and the West Bank. A deep love and bond to the people of this region developed, which enriched me through their culture, way of life, gentleness and deep respect for the simple things in life.

The roller coaster of everyday life in West Bank, which swings between elation and despair with little in between, started me translating the emotions I felt into first sketching and taking pictures, then using water colours.

I developed a great passion for the preservation of the Palestinian landscape rapidly disappearing under urban sprawl, settlements, fast roads and rubbish.  Remote villages hanging onto a tenuous existence, ancient Crusader buildings, Mamalukes and Ottomans houses, the patchwork of fields in valleys, barren hillsides striped with olive terraces, all these were gradually but surely vanishing, and sadly the destruction continues today.

I felt a need to capture these beautiful images, before they too were history.  Villagers would ask me why I was photographing or painting the tumbledown buildings in Beit Hanina where I lived, "what was the point", they would say, they will soon be bulldozed."   The buildings were composed of layers of stones from many periods, and with the remnants of some fine decoration.  I wanted to somehow capture this wealth of old architecture before it all disappeared, but alas, I was there too short a time, I would have needed another life time. 

The beauty of the Middle Eastern countries I lived in, will always remain with me.  The still awe inspiring majesty of the Jordanian deserts, the cedars and umbrella pines of Lebanon, the snow covered mountain villages, the rivers and waterfalls, the huge wealth of history, Petra, Balbeck, Palmyra, Jerash, Bethlehem, Nazareth, Jericho, the list goes on and on and on…So much diversity, so many peoples, so rich in art and all now fighting for there cultural survival in an ever changing world.

I know I will always be drawn back to the lands of my childhood, my adolescence, my first love and my early days as a mother. Most of my teaching was done in the Middle East, but I shall always remember all I learnt from those children of other cultures.

My first photographs to be published, were for the International Community School in Amman, which a colour brochure on the school. Then there were several articles with photos in the Jordan Times, The Star and the weekly tourist and cultural magazine Jordan Today.  These were articles on school activities to make the foreign community aware of what was happening at the school, and on bringing public awareness to the pollution damage in Aqaba and the Red Sea as part of my voluntary work for JREDS (Jordanian Royal Ecological Diving Society)

Winning first prize for "The Friends of Archaeology" photography competition in Amman in 1994 encouraged me to pursue and exhibit my works, and I was soon exhibiting frequently at "The Gallery" in the Intercontinental Hotel in central Amman, Jordan. Subjects ranged from architecture to portraits to underwater photography from the Red Sea.

I also worked voluntarily with " The friends of Dana" , a picturesque village off the Kings Highway. There was an exodus of the men, leaving to work in the cities. Women were left to take care of themselves, and a project was started by some expat women to keep ancient crafts alive, reconstruct the tumbling down village and give back life to this village on the verge of extinction. I sold my photography of the village near Petra in Jordan and gave a percentage to help this worthy cause. Today it is a unique tourist attraction, with rustic guest house, nature walks, and a very attractive gift shop displaying pottery, basket ware, artwork, organic dried fruits, olive oil etc produce all grown on the village terraces.

My watercolours are mostly from my stay in Israel, depicting derelict and now abandoned old houses, doorways, windows from West Bank villages…Some of the paintings are now historical, as the homes depicted are no longer standing.

In New Zealand, I had a solo photographic exhibition entitled "Endangered Gems" at Ngatipa Gallery in Kerikeri, and participated in a joint exhibition " Religious Images " there entering a few of my watercolours and some photographs. I also entered some watercolours in the Art Upstairs 150 x 150 exhibition in Kerikeri. Works from all these exhibitions, and some new ones, are available at Kaan Zamaan.
 

 

   

 

 

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